Internet Laws Blog

OiNK Music Piracy Site Shut Down

His Amsterdam servers seized, a 24-year-old Englishman was arrested for operating the music piracy website OiNK. This is just the latest example of international cooperation between law enforcement authorities to crack down on pirate sites. For now, that’s like trying to empty the ocean using a bucket with a hole in it. All it does is push the sites out of Western countries and into Eastern Europe and Asia.

The solution is a music licensing system that makes piracy a moot point because of the incentives to pay for what you’re getting. Until then, RIAA and its counterparts are chasing windmills in their war on copyright infringement.

Music Piracy – Even the Experts Get it Wrong

Andy Greenberg has an article in Forbes that cites intellectual property (IP) experts whining about the peer-to-peer (p2p) piracy of Radiohead’s latest album. Because Radiohead let fans name their own price, but pirates still downloaded the music on bittorrent instead, the mistaken assumption is that the piracy hurt the distribution model used by Radiohead.

You really have to wonder if some of these experts are tied to RIAA and the MPAA because the argument falls flat on its face when examined on the merits.

In the article, Big Champagne’s CEO Eric Garland hints at the truth: “In the big picture, if people want something, some will pay, and others will find a way to take it for free.”

But that’s even just part of the story.

Radiohead’s model was successful despite the piracy because of the buzz that it created for the album. As noted in a comment to my prior post on the Radiohead album, the band’s downloadable mp3s were produced at a low quality bitrate as an encouragement for fans to pay for the higher quality CD. Although a bad marketing ploy because the quality disclosure wasn’t made up front prior to the customer’s decision on how much, if anything to pay, the concept has merit.

Imagine a distribution model where albums are intentionally released with full disclosure on the Internet at a lower quality. The model lets customers choose the amount they want to pay. Now follow up with the same music flooded onto P2P sites intentionally but laced with ads in between songs…woven into the intro and outro parts of each song so that it is impossible to crop the ads without destroy the music in the process.

The music industry needs to move away from cramming high priced CDs down the throats of the consumer that simply aren’t wanted…CDs that have one or two songs that someone wants to listen to and the rest are garbage that the customer has to subsidize in order to get the quality stuff.

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And let’s not forget the music piracy hypocrites that run the industry. Don’t feel sorry for any of their copyright infringement losses until they prosecute their own executives and families who illegally download songs.

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